Author Archives: The Independent Ear

The joyous alto and saxophone and flute sound of T.K. Blue (aka Talib Kibwe) has been part of my consciousness for many moons. Before we even met his sound was a subliminal presence. The first time I actually encountered his … Continue reading →

This is the second in an occasional Independent Ear feature focusing on jazz musicians’ various “looks” on the bandstand. Just in case you missed our premise, from the vol. 1 installment: Historically, jazz musicians have for generations been among music’s … Continue reading →

One of the most rewarding books I’ve read this year, and certainly a surefire nominee for the annual Jazz Journalist Association award for best book has to be Mark Stryker’s Jazz From Detroit. The Motor City is known from a … Continue reading →

Certain jazz musicians have for generations been some of music’s most fashion-forward exponents. For years jazz musicians have been featured in occasional jazz-centric fashion spreads in general interest periodicals, notably in GQ magazine. A cursory review of jazz magazine covers … Continue reading →

As part of the jazz oral history project I embarked upon in 2010, along with Jennifer Scott and Kaitlyn Greenidge of the Brooklyn-based Weeksville Heritage Center, we interviewed numerous jazz and jazz-connected Brookynites, focusing on those who had been active … Continue reading →